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FRONT Triennial made for an artistic summer to remember in Northeast Ohio (Commentary)
[From Cleveland.com]

It brought attention to non-traditional venues including St. John’s Episcopal in Ohio City, the 1838 Gothic Revival church that hosted “Night Coming Tenderly, Black,’’ a brooding meditation by Chicago artist Dawoud Bey on the Underground Railroad.

FRONT was a robust and generally excellent splash of artistic globalism in an urban region that has tended toward provinciality in discussions about contemporary art.

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